Last login: 2 hours agoKlassy
Klassy is a 25 year old woman in a relationship from San Francisco, California, USA.
Likes 6,969 pages, 1,343 videos, 186 photos2,944 fans • Received 438 reviews
Member since May 01, 2005
Crushtastic Fantastic shot this pic!!! >> I merely copy & paste. << fb my Anna Karina fansite & my photoblog

Favorites » Her literature pages

Anaïs Nin - Wikiquote
Liked it Jul 16, 4:39am 0 review literature, anais-nin
http://en.wikiquote.org/wiki/Ana%C3%AFs_Nin
Short stories by Daniil Kharms
Liked it Jul 9, 5:19pm 4 reviews literature
http://www.sevaj.dk/kharms/kharmseng.htm
SUPERNATURAL HORROR IN LITERATURE (1927, 1933 - 1935)by H.P. Lovecraft
Liked it Jul 7, 6:58pm 0 review literature, lovecraft
http://gaslight.mtroyal.ab.ca/superhor.htm
DOMIST.net/eng article - CASTELLO - Interview with María Kodama
Liked it Jun 24, 10:41pm 2 reviews literature, borges, muse
http://www.domist.net/inglese/articles-news/MariaKodama2004eng.htm
"I now pronounce your name, Maria Kodama. Yo pronuncio ahora su nombre, Maria Kodama. How many mornings, how many seas, Cuantas mananas, cuantos mares, how many Oriental and Occidental gardens cuantos jardines del Oriente y del Occidente. How much Virgil. Cuanto Virgilio." - Jorge Luis Borges, dedication on La cifra (The Limit). 1981.

How much Virgil.



"All seas, all gardens. All Virgil. All my life in him. For ever and ever...and a day." - Maria Kodama


How much Virgil.


Sadhana: The Realisation of Life by Rabindranath Tagore: 5: Realisation of Love
Liked it Jun 18, 11:22am 2 reviews literature, tagore
http://www.online-literature.com/tagore-rabindranath/sadhana/5/
StumbleUpon - SU Pilipinas: C-C-C-COPYPASTA!!!
Liked it Jun 4, 7:48am 1 review crime, literature, copypaste
http://pilipinas.group.stumbleupon.com/forum/70934/
In this exercise of plunder driven by fascination and fandom, we refuse to reveal our sources; the better to forget our crimes. (Thread includes an out-of-placed lulzy WTF segue into HP7.)
Angela Carter
Liked it May 27, 1:30am 1 review literature, angela-carter
http://www.arts.gla.ac.uk/SESLL/EngLit/ugrad/litstud/carter.htm
Bataille: Halleluiah!--The Catechism of Dianus
Liked it May 27, 1:22am 1 review literature, bataille
http://www.necessaryprose.com/bataille.html
a456: The Anti-Architecture of H.P. Lovecraft
Liked it May 23, 12:41pm 2 reviews literature, lovecraft
http://www.aggregat456.com/2008/05/anti-architecture-of-hp-lovecraft.html
YouTube - Vladimir Nabokov discusses &Lolita& part 1 of 2
Liked it May 23, 3:15am 2 reviews literature, video, nabokov
http://video.stumbleupon.com/?p=54e0yxu36k
I can never seem to cite Nabokov's Lolita as one of my favorite books. I could say it is one of my favorite novels, as most would claim it to be theirs, but I'm not quite certain that's the reaction you're "supposed" to have. (I place the word, "supposed" in quotation marks, because I may be using the wrong word here.) I have only read it once completely. I've made many attempts to re-read it again, and I never seem to see it through all the way to the end. I think this is because, once you get over the initial shock of reading Lolita for the first time with virgin eyes, how else then are you "supposed" to approach it for a second, third, fourth (and so on) time all the way to the end? And so, out of curiosity, what reaction do you think one is "supposed" to have in re-reading Lolita? Thoughts, stumblers? I was thinking just a while ago while making yet another attempt to re-read Lolita, that: if a "supposed to" exists, then I guess you're "supposed to" read it critically. Not empathizing with Lolita or Humbert, but attempting to find the author (Nabokov himself) within the novel. The entire novel is supposed to be something of a puzzle. It's a game. And filmmaker Stanley Kubrick cleverly hints at it, being a game of chess by blatantly depicting it in this particular scene in the movie adaptation; not to mention, there's a game of Ping-Pong too towards the end of the movie. But back to the novel. Nabokov drops clues about his identity everywhere. These clues are difficult to uncover, because of course, I can't help but make personal connections in my reading, as with all stories. We're supposed to see Humbert as extremely self-absorbed and rather callous. There are multiple clues that Nabokov drops, but most incriminatingly:
The fact that he can't tell a butterfly from a moth. (And I just adore the way Nabokov writes this one.) There is a specific scene in the book -- I think during their travels, although I may be wrong -- where they see a white butterfly, and Humbert remarks it was, "just some moth", or something along those lines. For Nabokov, that is the ultimate sin. (I giggle about that sometimes.)
Anyway, I really like the poetry in Lolita. So I guess at this point, I can now say it's one of my favorite books, mainly, because Nabokov commands the English language so very well. I guess if anything is the "point" of the work, I feel it is this (and I quote now from Nabokov's own afterword):
"There are gentle souls who would pronounce 'Lolita' meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction, and, despite John Ray's assertion, 'Lolita' has no moral in tow. For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm."
If by reading Lolita, you find yourself moved to the brink of tears by Humbert's confession, as I find I often do every time I read the book, then it just means that we are identifying with Nabokov's description of a state of "aesthetic bliss". I certainly don't think you're "supposed to" empathize exclusively with Humbert, or Lolita, or any of the other characters, or assume that any of them are authorial spokesmen. However, I feel that Nabokov was a big enough artist and human that he felt, and the reader is meant to feel, an immense, almost immeasurable sense of empathy and sympathy with pretty much every single one of his characters, even the most despicable, like Humbert. I am digressing. And so here is why I find it difficult to cite Lolita as one of my favorite books, because I can't ever make up my mind regarding any single aspect, regardless of Nabokov's approval. One must also be careful not to over-analyze Nabokov, which I also fall into the trap of doing sometimes, and which most critics do. Be careful, if you have copies of annotated versions of Lolita, wherein each and every allusion is discussed in detail. Um. I guess I'm leaving this open and hanging now. Sorry if this review is such a mess. I'm such a mess.
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